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More Great Information on Bell Howell:
Manufacturer of splicers by navendu
A splicer is used to connect the ends of two pieces of film. Splicers are designed for all film formats. A distinction is made between the
?Wet glue press , in which the two film ends with Filmkitt be (a solvent mixture), welded, and the
?Dry adhesive theory , which is associated with the film ends with tape.
Knife cut off the excess tape. Then the film is turned over and glued to the back as well. In addition, both times over the glued perforated holes are punched. On other models you work with pre-perforated tape.Dry splices can be opened again, which one individual onto the phase image can cut and fit exactly.
Since the early work on film is cut with increasingly enhanced splicers. Simply moisten the emulsion was first on the overlapping piece of film and scraped with a knife, was found with the latest distribution of narrow-film adhesive to the need for cleaner methods. In the double-wedge film touches both ends can be ground using a built-in scraper press the adhesive wedge-shaped with straight-line guide, so that the adhesive place in the ideal case, only slightly thicker than the film. The late 1930s the company developed Geyer Germany in the film plane, with the double wedge cut without cockroaches and the associated adverse dust was carried out with a plow blade. The outbreak of war prevented a mass production, this did not begin until the late 1940s.
The still current development of the film, the film planer splitter dar.
There are common and heated wet glue presses, which is sticking more rapidly. The latter are mainly in the U.S. fashion. In Europe, they are hardly used.
Through the use of digital "film editing" on the computer programs with the use of working copies of their material and bonding in decline and is increasingly exercised only by lovers of manual labor.
Splicers are used but still in the cinema, both in film cracks, but especially when combining the individual films from the records by the projectionist . Of course, film splicers are also used in film archives. Dry or butt splicers are also ideal for Perforationsreparatur. Not least was the improved model "M 3 Special" by the CIR / Dr. Leo Catozzo, the adjustment is need also can be shrunk to film the coveted "Technology Oscar".
?Agfa, Munich, 16 mm, Standard 8, Super-8
?Arnold & Richter, Munich, 65 mm, 35 mm, 16 mm, Super-8?
?Bauer, Stuttgart-Unterturkheim, 35 mm, 16 mm, Standard 8, Super-8
?Bell & Howell, Chicago, 35 mm, 16 mm, Standard 8, Super-8
?Catozzo, Roma, 70 mm, 35 mm, 16 mm, 9.5 mm, Standard 8, Super-8
?Cineamex, Teufenthal, 16 mm, Super 8
?Eastman Kodak, Rochester, 35 mm, 16 mm, Standard 8, Super-8
?Eumig, Vienna, 16 mm, Standard 8, Super-8
?Fujica, Tokyo, Single-8
?Geyer, Berlin, 35 mm, 16 mm
?Hahnel, Ireland; Normal-8, Super 8
?Hammann, Amorbach, 70 mm, 65 mm, 35 mm, 16 mm, 9.5 mm, Super 8
?Hudson Photographic Industries, Irvington, 35 mm, 16 mm, Standard 8, Super-8
?Ising, Bergneustadt; Normal-8, Super 8
?LPL, Japan; Single-8
?Lytax, Freiburg im Breisgau, 35 mm
?Marguet, 35 mm, 16 mm, 9.5 mm, Standard 8, Super-8
?Meopta, Brno, 35 mm, 16 mm, Standard 8, Super-8
?Muray, 35 mm, 16 mm, 9.5 mm, Standard 8, Super-8
?Paillard Bolex, Ste-Croix, 16 mm, 9.5 mm, Standard 8, Super-8
?Pathe, Paris, 35 mm, 28.5 mm ("Kok"), 17.5mm ("Rural"), 9.5 mm
?Pathex, Dsseldorf, 9.5 mm
?Plank, Nuremberg, 16 mm, Standard 8, Super-8
?Prime Minister, London, 35 mm, 16 mm
?Theilemann, Munich, 35 mm
?Rivas, Hollywood, 35 mm, Split, 16 mm
?Union, Berlin, 35 mm, 16 mm
?Zeiss-Ikon, Stuttgart, Super-8
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Article Source: http://www.earticlesonline.com/Article/Manufacturer-of-splicers/1299666
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